​TATSUYA SHIMADA

▼ "Hana" digital single https://Fujii-Kaze.lnk.to/Hana_EP Starring：Fujii Kaze, Cristian Liberti, Tommy Thungsunawan, DoHoon Kwon, Winston Sky Director：MESS Choreographer：Shingo Okamoto Director of Photography：Koretaka Kamiike Camera Assistant：Yuuto Mori Drone Camera：Michito Tanaka Lighting Director：Ryo Takahashi Australia Line Producer / 1st AD：Ken Aikawa (CP International) Assistant Coordinator：Osamu Matsuda, Yu Abekawa, Akiko Kitamura Australia Production Manager：Jenny Webb Location Scout / Manager：Jason King Art Director：Randall Dart Standby Props：Angela Fitzpatrick Art Assistant：Angus Stuart Onset Nurse：Jon Macleod Unit Manager：Brad McLachlan Unit Assistant：Michael 'Cat' Rolton Catering：Gourmet Cribtin Café - Alecia Green, The Old Saltbush - Lee Cecchin Safety Report：Ben Harris Fire Bridgade：NSW Rural Fire Service via Rod Grenfell Dancer’s Agent：Michael Corbett Hair ＆ Make Up：TAKAI, Aya Mishiro Stylist：Tatsuya Shimada Stylist Assistant：Atsushi Nakamura, Ryuya Hashimoto Costume Production：Yuko Makino Colorist：Yoshiyuki Nishida (Artone Film) VFX Artist：Shunsuke Kakuuchi, Yasuhiro Kobari (Triple Additional) Online Editor：Ryosuke Ichikawa (MARUNI STUDIO) MA Mixer：Tomoaki Yokota (MARUNI STUDIO) Production Manager：Yukari Itabashi (FAB) Production Staff：Yusuke Namiki (FAB), Yurika Ishihara (FAB), Tamaki Ide (FAB), Nanami Sato (FAB), Masato Kudo (FAB) Producer：Hazuki Hasegawa (FAB) Label：Mitsuhiro Higashikosono (UNIVERSAL SIGMA) HEHN RECORDS：Mayuka Kobayashi, Tomonori Kawazu Hana(flower) Written by Fujii Kaze Produced by A.G. Cook Drums : Ryan McDiarmid Synthesizer：Fujii Kaze Recording & Mixing Engineer : Masahito Komori Recorded & Mixed at ABS RECORDING STUDIO Recorded at Westlake Recording Studios Mastering Engineer : Tsubasa Yamazaki Mastered at Flugel Mastering Lyrics English translation by Kaze It's dying even at this moments It's blooming Everything comes together What can I do Who shall I live We are all ephemeral We are all sacred Holding a bouquet of wilted flowers under my arm I was searching for the beauty that would never fade I trusted you and me I was feeling you and me I'm going to bloom the flower inside of me Secretly I’m trying to put my heart Unavoidably I will live with a prayer For how long will I be lost I'll find out someday, I'm sure We are alone All is one Confused by the various shapes and forms But one day everything will feel so cute What will I be What color would I like to be I'm going to find the flower inside of me Holding a bouquet of wilted flowers under my arm I was searching for the beauty that would never fade I trusted you and me I was feeling you and me I'm going to bloom the flower inside of me I'm going to find the flower inside of me my flower’s here Official APP: http://c-rayon.com/fujiikaze/ TikTok: https://www.tiktok.com/@fujiikaze1997 Instagram: http://Instagram.com/fujiikaze Facebook: https://www.facebook.com/FujiiKazeofficial iTunes Store: https://itunes.apple.com/jp/artist/%E8%97%A4%E4%BA%95-%E9%A2%A8/1486113150?app=itunes&at=10I3LI&ls=1 Spotify: https://open.spotify.com/artist/6bDWAcdtVR3WHz2xtiIPUi YouTube Music: https://music.youtube.com/channel/UCxjfYUXFwmjUCGHMeBri5_w Amazon Music: https://music.amazon.co.jp/artists/B0819FY3KC?ref=dm_sh_e043-549a-9e40-b221-a1efe LINE MUSIC: https://music.line.me/artist/mi0000000011ec3db5

▼ "Workin’ Hard" digital single https://Fujii-Kaze.lnk.to/WorkinHard Director：MESS Director of Photography：Kohta Kimura Camera Assistant：Kaito Furuyoshi Drone Camera：Michito Tanaka Lighting Director：Gen Kaido Lighting Chief：Ryuji Nakano Lighting Assistant：Namiko Watanabe Coordinating Director：Rikii Ryu Fixer Producer：Shih Hua Liu Producer：Kiki Shih Line Producer：Yi Li Chen Location Manager：Jam Lee On-set Producer：OA Chen Craft Service：Amber Hsu Production Assistant：Zi Rou Qiu Coordinator Artist Team：Fu Ting Chang Coordinator Camera & Lighting Team：Yamato Casting Director：Benjamine ko Casting Crews：Yun Ru Chen, Chow R2 Operator：Lin Yu Cheng 2nd Assistant Camera：HongLing Camera Equipment：To Go Film Lighting Crews：Yong Hung Lin, Yuan Hao Hsu Lighting Equipment：Zi Chuan Enterprise Co., Ltd Technocrane Operator：Wei Ming Lu Technocrane Technician：Xi Li Chiang, Hong Wei Wang Grip Equipment：Lee Rong Film & TV Equipment CO. Transportation：Sky, Bibo, Po Sung Shih, Ping Hsieh Wang, Chia Chn Li Extra： Yue E He／Yu Ying Lai／Guang Shu Li／Feng Jiao Lai／ Nong Neng Chen／Hui Qing Zhang／Mei Ying Wei／Hui Zi Ye／ Yun Zhen Li／Zhang Shi Hong／Ji Xian Chen／Song Hua Wu／ Chun Ting Kuo／Yun Ru Chen／Ming Hsin Kan／Yu Chun Hou／ Chien Yun Lin／Cheng Hsun Wu／Ping Hong Zhang／Tien Tsu Zhangg／ Ying Chien Li／Shih Chun Wei／Mei Chun Liu／Mei Hua Huang／ Hsien Mei Kuan／Chun Yu Cho／Pao Chu Zhang／Jui Jung Hsu／ Tai Chieh Chen／Pao Lien Tsai／Su Yu Zhang／Ching Shun Lin／ Ya Ru Zhang／Yueh Hsiu Yu／Hui Ling Yu／Yi Fan Chiu／ Hui Mei Yang／Mei Chi Huang／De Sung Lo／Yu Ying Chen／ Ching Man Sung／Hua Hsieh Tseng／Chieh En Chen／Hsin Shen／ Kuo Chung Hsu／Hui Chih Yeh／Yun Chen Li／Hui Ya Li／ Chieh Cheng Lo／Yu Jen Chen／Su Chun Feng／Hsiu Cheng Yeh Hair＆Make Up：TAKAI, Aya Mishiro Stylist：Tatsuya Shimada Title Design：Rak Design Assistant : Iori Colorist：Sota Ito Online Editor：Ryosuke Ichikawa (MARUNI STUDIO) MA Mixer：Tomoaki Yokota (MARUNI STUDIO) Production Manager：Yukari Itabashi (FAB) Production Staff：Yusuke Namiki (FAB), Tamaki Ide (FAB), Yurika Ishihara (FAB), Nanami Sato (FAB), Masato Kudo (FAB) Producer：Hazuki Hasegawa (FAB) Label：Mitsuhiro Higashikosono (UNIVERSAL MUSIC), Daisuke Matsuyama (UNIVERSAL MUSIC) HEHN RECORDS：Tomonori Kawazu, Mayuka Kobayashi Workin' Hard Written by Fujii Kaze Produced by Dahi Recording Engineer: Tyler Page Recorded at Village Studios Mix Engineer: Jeff Ellis Worldwide Mixed at EastWest Studios Mastering Engineer: Dale Becker Mastered at Becker Mastering Lyrics English translation by Kaze Nailed it Left them in awe Oh, this world is too damn easy Trusted it Completely relieved Ouch, what a deep joy What I’m fighting against What I’ll knock out Is weak ass self in me I’ll do it thoroughly With dignity Then perish beautifully~ Y’all are doing really great Working your asses off I will do my best, too Do whatever I could Don’t need to have anything To hell with the results Better sit back Take a deep breath And you’ll know... You’ve been workin’ hard Workin’ hard Maybe you don’t understand But I know that you’re Workin’ hard Workin’ hard Wish I could give you a hand Baby you’ve been Working hard Working hard Trust the process and be brave You’ve been workin’ hard God, you’ve been workin’ hard Let’s sit back, time to relax Dance freely to the beat of your heart Bow down, show them respect There’s no enemy or ally here Sit back, time to relax Dance freely to the beat of your heart Bow down, show them respect There’s no such thing as ‘friend or foe’ Y’all are doing really great Working your asses off I will do my best, too Do whatever I could Don’t need to have anything To hell with the results Better sit back Take a deep breath And you’ll know... You’ve been workin’ hard Workin’ hard Maybe you don’t understand But I know that you’re Workin’ hard Workin’ hard Wish I could give you a hand Baby you’ve been Working hard Working hard Trust the process and be brave You’ve been workin’ hard God, you’ve been workin’ hard All we gonna do is to make you happy All we gonna do is to make you lucky All we gonna do is All we gonna do is to make you make you feel alive What we gonna do is to make you feel good What we gonna do is to make you feel ah It’s all about others It’s all about brothers Together we can touch the sky Cuz you’ve been workin’ hard Workin’ hard Maybe you don’t understand But I know that you’re Workin’ hard Workin’ hard Wish I could give you a hand Baby you’ve been Workin’ hard Workin’ hard Trust the process and be brave You’ve been workin’ hard God, you’ve been workin’ hard Official APP: http://c-rayon.com/fujiikaze/ TikTok: https://www.tiktok.com/@fujiikaze1997 Instagram: http://Instagram.com/fujiikaze Facebook: https://www.facebook.com/FujiiKazeofficial iTunes Store: https://itunes.apple.com/jp/artist/%E8%97%A4%E4%BA%95-%E9%A2%A8/1486113150?app=itunes&at=10I3LI&ls=1 Spotify: https://open.spotify.com/artist/6bDWAcdtVR3WHz2xtiIPUi

Suraya Mohamed | April 12, 2024 In the corner of a busy office at the NHK Broadcasting Center in Shibuya, Tokyo, a staffer rearranged books, vinyl records and tchotchkes on a bright red shelving unit. The production crew double-checked equipment settings and made small adjustments to the lighting. Another worker added a few more posters to the tall white file cabinets. Cameras were set and microphones were ready because Fujii Kaze and his band had just rehearsed the night before. Everyone in the room — including a few of us from NPR that were there to help — was eager and excited because the very first performance for Tiny Desk Concerts JAPAN was about to start. Popular around the world, the talented Fujii Kaze is a Japanese singer and pianist known for his sultry R&B grooves and catchy songwriting. His adventurous spirit was strong as he settled into the Tiny Desk way — a concert that's intimate, mostly acoustic and recorded without reverb, effects, in-ear monitors or wedges. During the rehearsal, the band quickly acclimated to the environment and adjusted instrument volumes to hear each other better. The end result was a beautiful 30 minute set, captured without pause and with no stops, restarts or retakes. This video is part of the second international version of Tiny Desk, a joint venture between NPR and The Japan Broadcasting Corporation (NHK) — the sole public media organization in Japan that is operated with the purpose of providing the latest news, education and culture both domestically and internationally. This new series will spotlight emerging and established Japanese artists with the same engaged performances, look and feel of the original Tiny Desk Concerts series. SET LIST "Matsuri" "Garden" "damn" "Kirari" "Michi Teyu Ku (Overflowing)" "Shinunoga E-Wa" MUSICIANS Fujii Kaze: lead vocals, keys Yaffle: keys DURAN: guitar Katsuya Takumi: bass Kudo Seiya: drums Yo-Sea: vocals nishina: vocals CREDITS NHK / NHK ENTERPRISES: Executive Producer: Shibasaki Tetsuya, Kamano Mizuho Producer: Ozawa Hiroshi Director: Ito Misato, Kikuchi Minako Camera: Ishigaki Motomu Lighting: Ichikawa Takaho Sound: Sato Yosuke Designer: Yamaguchi Takashi Editor: Morozumi Yuka NPR Music: Audio Technical Director: Neil Tevault Lead Video Producer: Maia Stern Host/Series Producer: Bobby Carter Tiny Desk Team: Joshua Bryant, Kara Frame, Ashley Pointer, Hazel Cills Senior Director of Partnership Development: Gordon Synn Executive Producer: Suraya Mohamed Series Creators: Bob Boilen, Stephen Thompson VP, Visuals and Music: Keith Jenkins #nprmusic #tinydesk #fujiikaze

学校の課題、人間関係、趣味や友達との時間。今を生きる10代はやるべきことが満載だ。 心のパツパツが最高潮に達したとき、不思議な月が現れて時空を超える旅へと誘われる。 過去のさまざまな時代を生きる女性達と出会い、現代を生きるヒントを紡ぐストーリー。 完璧さへのプレッシャーを乗り越え見つけた、自分にとって本当に大切なものとは？  詳細はこちらから https://www.nike.com/jp/justdoit/ #JustDoIt #完璧じゃなくていい #Nike

KIDILL SPRING SUMMER 2025 COLLECTION “999” PARIS FASHION WEEK 18TH JUNE 2024 The special encounter and years of exchange between Hiroaki Sueyasu with Ho99o9 duo consisting of theOGM( BlueFace ) and Yeti Bones（Eaddy ) provided inspirations for the 2025 S/S collection was latent. Fascinating influences from adoration and sublimating to new creations. The constant aesthetic that Sueyasu expresses through KIDILL became more apparent through a relationship that began almost two years ago. Ho99o9, who embodies a desire for progress and an inimitable sense of beauty through their frenetic appearance, music, performance, and costumes, perfectly encapsulated the style of KIDILL. Sueyasu says, "I was impressed by the essence and attitude that runs through all their styles, and this spontaneous empathy brought unprecedented imagination to KIDILL." The iconic wedding dress that eclipse the body, remarkably unique DIY live costumes gives a direct notion of “their usual style”. The imagination bound from the cluster of these facts is not only seen from the graphics and the embroideries of Ho99o9, but in the myriad of the zippers and the padlock fastening front detail, sleeveless denim vests and the symbolical use of the laces heavily infuses the evolution of the customizing spirit. Interestingly, Sueyasu feels "a Tokyo-ness" from the presence and the frame of mind of Ho99o9. Somewhat a sensory subjectivity that the designer has experienced over the course uniformly linked to the essence of the street style of Harajuku, especially the Lolita style. Hence, it coexists in the collection as an inevitable exhalation appearing through Kae Tanaka's graphics, dresses and decors, the “philosophy of the consistency in the unity of choosing and wearing clothes”. In addition, Sueyasu uninhibitedly expanded his designs with items deconstructed from vintage metal band T-shirts, a bandolier bag that holds tattered and eroded textures and bullets, sleeveless tailored jackets, and vintage trousers created by the tailors. The deep-seated fact found through the multiple collaborations of KIDILL is still showing the power to usher in the punk of the future. Track jackets, pants, and game shirts in collaboration with UMBRO, ironic one-of-a-kind masks and hats with HIZUME are just a few examples. “PROTECT MY BASIC" is a straightforward and powerful affirmation that points to the core of the matter. The code "999" masked in Ho99o9 is a premonition to the next stage of evolution and of an as-yet-unseen setting. This angel number is an inversion of the devil's number 666, and the boundless context of 1000-1 is loaded with infinite possibilities of q progressing mysticism, representing the current state of mind of Sueyasu. ニュージャージーを祖郷に持ち、LAを拠点とするtheOGM（BlueFace）とYeti Bones（Eaddy）から成るデュオ、Ho99o9（ホラー）と末安弘明の特別な邂逅、そして数年にわたる継続的な対話には、2025年春夏コレクションの胎動に欠かせない数多のインスピレーションが潜んでいました。   愛するものからの影響を受け、新たな創造へと昇華させる。末安がKIDILLを通じて実践してきた不変の美学は、およそ2年前、独自の前進欲と無二の美意識を、風狂な佇まい、楽曲、パフォーマンス、衣装を介して体現するHo99o9が完璧にKIDILLのスタイルを纏ったことに端を発した関係性を介して、より明らかにしていきます。「彼らのあらゆるスタイルに通底する本質と態度に感銘を受け、この自然発生的な共感は、KIDILLにこれまでにない想像力をもたらしてくれました」と末安は話します。   特定の人物のスタイルコードがデザインの着想となることは、KIDILLにとって初めての試みです。身体の特性を凌駕するアイコニックなウェディングドレスや、もっともユニークなDIYライブコスチューム、直裁的な「彼らが私服で着ていそうな姿」といった、対話のファクトだけが織りなすことのできるイマジネーションは、Ho99o9のグラフィックや刺繍だけでなく、無数のジッパーやフロントを留める南京錠のディテール、ノースリーブのデニムベストやレース素材のシンボリックな使用、カスタマイズ精神の進化に至るまで色濃く注ぎ込まれています。   興味深いことに末安は、Ho99o9の姿と精神性に「東京らしさ」を見出したのだと話します。それは、デザイナーが人生をかけて実感してきた感覚的主観であり、原宿のストリート、特にロリータのエッセンスと有機的に結びつきます。ゆえに、田中かえのグラフィックや、ドレスや装飾にも現れる「哲学を持って服を選び、服を纏うことの一致」を通じて、必然的な吐息としてコレクションで共生します。さらに、メタルバンドの古着Tシャツを解体したアイテム、ボロボロに蝕まれた風合いや弾丸を収めるバンダリアバッグ、ノースリーブのテーラードジャケット、テーラーの手によるボンテージパンツも登場し、末安は奔放にデザインを拡張していました。   ここで抜き難い事実は、KIDILLにおける複数の真のコラボレーションが依然として未来のパンクを切り拓く力を持っていることです。umbroとのコラボレーションによるトラックジャケットやパンツ、ゲームシャツをはじめ、アイロニカルな一点もののマスク、HIZUMEとの帽子などはその一例にすぎません。「PROTECT MY BASIC」は、核心をつく端的かつ強烈な宣言でもあります。   これらは、Ho99o9の名に秘められたコード“999”が、次なるステージへの進化、まだ見ぬ景色への予感を宿していることとも関連するでしょう。悪魔の数字ともいえる666を逆さにした数字であり、1000-1という未定義の意味を孕むこのエンジェルナンバーは、無限の可能性と先進の魔力を秘め、末安の現在形の心をも代弁しているのです。 Movie Director : Minori Murata Movie Music : HO99O9 Show Director : Michio Hoshina *PLANKTON Stylist : Tatsuya Shimada Hair Stylist : Kunio Kohzaki Make-up Artist : Kanako Yoshida *lga management Casting : Taka Arakawa, Jose Maria *ALTER Production : Devi Sok Collection Photos : Ko Tsuchiya Backstage Photos : Ko Tsuchiya, Flo Kohl Show Coordinator : Azusa Nozaki Writer : Tatsuya Yamaguchi Artwork : HO99O9, KAE TANAKA, ohiana Collaboration : HO99O9, UMBRO, HIZUME, RICHMOND KNITWEAR, KIRIN TAILORS, ACUPUNCTURE, Deadly Sweet, YUUKI IWAMA, NC, rurumu: International Press : Totem fashion Japan Press : Sakas PR Support : Dr. Martens KIDILL Designer : Hiroaki Sueyasu

KIDILL FALL WINTER 2024-25 COLLECTION “WHATEVER HAPPENED TO PUNK” August 2023,  we received the news of the passing of Jamie Reid, British artist of the Sex Pistols infamous covers and logos, and continually being connected since the collaboration for Fall-Winter 2020, Hiroaki Sueyasu mentions, “Jamie was my very starting point”. Sueyasu adds, the loss of something I believed would be in existence somewhat eternally  is like a void, he was a stranger but he was also portraying me.  Even though Jamie and the other remarkable figures who created early punk have left us, it is our duty to ensure that the essence of punk, that has influenced our time and our people in countless ways to persevere.  I would like to offer my condolences inimitably, declaring that 'they are eternal’. "Even if its categorized as a typical classic," Sueyasu says that sometimes a completed style runs the risk of becoming the object of iconography, of being reproduced, consumed, and becoming reduced to a formality over time. On the other hand, he is convinced that stylized/ conventional beauty will absorb the diversity of the trends of the time, and will live on into the future while being reduced to the present. The preeminent theme for the Fall-Winter 2024 collection is not simple destruction or denial, but the positive energy of those who live in the same era continuing to reboot the “punk”. The collection, with its DIY-inspired embellishments, prints and jacquard weaves by Japanese artisans, is an exploration of the intersection of early punk classicism and modernity in design, silhouette, and the essence of detailing. Sueyasu odes the praises of "punk" through an array of excessive destructs,  reviving of FOSTEXGARMENTS MA-1s, ripped denim, and vintage-washed-out cut-and-sewns/t-shirts/ tops. The direct message of this season’s KIDILL collection lies in the basis of the half century history of punk with its unchanging identity and attitude is no longer for only a specific group of people.  Punk has long since departed from the insularity interpreted from its appearances/looks, but has been inherited by many as a spirit of protest and rebellion of their own, driving the evolution of a modern, independent culture, and becoming a value system that respects individuality through freedom and expression.  Sueyasu's return to the roots is a channel of its origins, proclaiming the rebirth and renewal for KIDILL.  “As a matter of fact, my initial impulse and resistance remains the same. I am just simple." 2023年8月、セックス・ピストルズの名高いジャケットやロゴのデザイナーとして知られる英国人アーティスト、ジェイミー・リードの訃報が届いた。2020年秋冬コレクションでのコラボレーション以降、「ジェイミーは、自分の原点そのものだった」と言う末安弘明との親交は途絶えていなかった。 「存在し続けると信じていたものの喪失は、空虚に似ていた。他人ではあったが、まるで自分でもあったからだ。しかし、ジェイミーをはじめ、初期のパンクを創造した偉大な人たちが去ったとしても、現代、あるいは現代人に様々な影響をもたらしたパンクの本質を終わらせないことが役目である。私は私らしいやり方で哀悼の意をこめたい。それは、『彼らは永遠である』という宣言でもある」 「それをクラシックだと言おうとも」と添えながら、時に完結したスタイルは、イコノグラフィーの対象となり、月日の中で複製され、消費され、形骸化していく危険性をはらむのだと末安は言う。一方で彼は、様式化された美が、時代の趨勢のなかで多様なものを吸収し、現在に還元されながら未来に息づくものであると確信している。単純な破壊や否定ではない——同時代を生きるものたちが“パンク”をリブートし続ける、ポジティブなエネルギーこそが2024年秋冬コレクションの最大のテーマである。 DIYの考え方に基づいた装飾やプリント、日本の職人によるジャカード織りが映えるコレクションは、デザイン、シルエット、ディテールエッセンスにみられる初期パンクのクラシシズムと現代性の交わりにまつわる探求に満ちている。過剰なデストロイ加工の数々、FOSTEXGARMENTS社製のMA-1の復刻、引き裂かれたデニム、ヴィンテージウォッシュ加工で洗いざらしのカットソーなどを介して末安は“パンク”に讃歌をおくっています。 今季の直裁的なKIDILLのメッセージは、半世紀の年月が経つパンクの歴史、その不変のアイデンティティと態度はもはや、特定の人々のためのものではないという事実にある。パンクは、外見から解釈される偏狭さからとうに逸脱し、今を生きる多くの人々に自分なりの抗議（反抗）の精神として継承され、モダンでインディペンデントなカルチャーの進化を後押しし、個々の自由や表現を尊重する価値観となって人それぞれと結びついている。今、その原点に末安が回帰することとは、KIDILLにとって再生と更新を意味しているのです。「けっきょく、初期衝動と抗う力は変わらない。私はシンプルなのです」 Movie Director : Minori Murata Movie Music : CycheoutsG Show Director : Michio Hoshina *PLANKTON Stylist : Tatsuya Shimada Show Music : CycheoutsG Hair Stylist : Kunio Kohzaki Make-up Artist : Kanako Yoshida *lga management Casting : Taka Arakawa, Jose Maria *ALTER Production : Devi Sok Collection Photos : Ko Tsuchiya Backstage Photos Photos : Kyohei Hattori, Flo Kohl Show Coordinator : Azusa Nozaki Writer : Tatsuya Yamaguchi Artwork : Jamie Reid, Tom Tosseyn, maya Shibasaki, ohiana Collaboration : Dickies, Fostex Garments, HIZUME, Malcolm Guerre, rurumu: International Press : Totem fashion Japan Press : Sakas PR Support : John Marchant Gallery, Dr. Martens, Instant Icon KIDILL Designer : Hiroaki Sueyasu PARIS FASHION WEEK 16TH JANUARY 2024

KIDILL FALL / WINTER 2023-24 COLLECTION "ENFANT TERRIBLE" The feelings that overflow from an individual, pure and unclouded, are like the “water” that fills a depleted vessel. Hiroaki Sueyasu, ruminating on his fundamental mindset toward creation, strongly reconnects with his “core,” which he assures eternal, through the Fall-Winter 2023 collection. Sueyasu being devoted to the masterpieces and countless films of Spike Jonze, Harmony Korine, Danny Boyle, and the documentaries of the Z-Boys capturing the precarious atmosphere of teenagers, depicting a dangerous connection between the sense of loss and the everyday life of youth-including skating and punk, creating empathy on a spiritual level to find all the beauty and ugliness in the unevenness of each life, the confusion and salvation, shadow and light. The events that coincide with the old skate are the most proximate to the collection. Through the collaboration with DC SHOES and DC skaters, Sueyasu’s most present-tense emotions are clearly expressed in the collection. He applies multi-prints to military materials that evoke the DIY atmosphere of old skateboarding which landed a meet of the tweeds and tulles and pursued on to the unexpectedness of the combination of the bijoux and the ribbons. Foregrounding the do-it-yourself spirit more than ever was a manifestation of the skaters’ reverence for a mindset that values freedom, and the most unrestrained approach to conjure the “core” of Sueyasu more than ever. In addition to the ample perceptions captured by the ongoing dialogue with many collaborators, and with the noise ambience of Wong Kar-wai’s films - the smoky air, the dreary grass and flowers, the decadent and chaotic mood, the sharp gaze gliding the gender gap eliciting the texture of a deteriorated wall paper reflected in the combination of denim and girl prints adding to the quintessential of KIDILL’s interpretation of the boy’s look inducing the masculinity and the charm at the crux of the collection. Thus the image of each individual living their days and immersing themselves in skating as to fill the void of depletion, and dissatisfaction, only then can they discover another reality and desire of their own, developing a connection with their peers to be saved. The decisive purity being the outset of their actions synchronizes with the “essential freedom” that Sueyasu himself continues to covet throughout his life. “Fashion saved me,” he said, recalling the fateful initial impulse that led him to start his creations in London, following his own feelings alone. “I am saved as in the past by moving my hands as I desire to customizing vintage clothes without refrains. I can plunge my frustrations both residing in reality and imagination to form a structure to my “likes”, a fact that will never not change. Although the “likes” sometimes binds us, at the same time brings out freedom. What is certain for oneself is to be eternally connected to one’s “core,” which is pure, and believable. This is the beauty of one's own style. Whatever name may be given to, processing on updating, never standing still, and never feeling left to run dry to construct a new counterpoint. The enfants terribles is the current statement of KIDILL. Show Director : Michio Hoshina *PLANKTON Stylist : Tatsuya Shimada Make-up : Kanako Yoshida Casting : Taka Arakawa, Jose Maria *ALTER Production : Devi Sok Collection Photos : Kyohei Hattori Back Stage Photos : Shono Inoue Show Coordinator : Azusa Nozaki Writer : Tatsuya Yamaguchi Artwork : Tom Tosseyn, Maya Shibasaki Collaboration : DC Shoes, CA4LA, Malcolm Guerre, rurumu: International Press : Totem fashion Japan Press : Sakas PR International Sales : Kohei Sato Support : DC Shoes Movie Director : Yusuke Ishida Cinematographer : Yusuke Ishida, Yohei Haga Music : Grimm Grimm KIDILL Designer : Hiroaki Sueyasu

フジテレビ系 木曜劇場 『ゴシップ #彼女が知りたい本当の〇〇』W主題歌 Streaming/Download: https://tatsuya-kitani.lnk.to/Ff235NAY 『ゴシップ #彼女が知りたい本当の〇〇』：https://www.fujitv.co.jp/gossip/ :::::::::::::::::::::::::::::::::: Official Site : https://tatsuyakitani.com/ Instagram : https://www.instagram.com/inunohone/ Staff Instagram : https://www.instagram.com/tatsuyakitani2 Twitter : https://twitter.com/TatsuyaKitani Staff Twitter : https://twitter.com/TatsuyaKitani2 TikTok：https://www.tiktok.com/@inunohone :::::::::::::::::::::::::::::::::: 【Music Video Credit】 Cast : Drifters / Tatsuya Kitani, Noah Babyhood / Shoutaro Shibata Father / Hirotaka Tezuka Mother / Megumi Kanda Director : Tai Nakazawa Coordinator : Takanori Matsumura Casting Office : Yoshimi Takada(SKALY) Director of Photography : Ryosuke Komatsu Camera Assistant : Yosuke "MASTER" Kojima, Rio Inoue, Dt.Syunki Ito Lighting Director : Makito Kaji Lighting Assistant : Jin Katsumi, Yuu Urata Production Designer : Mayumi Okamoto, Shinjiro Kinoshita Production Designer Assistant : Hatsune Nakagomi, Yui Shigekuni, Yosuke Sugai Stylist : Tatsuya Shimada Styling Assistant : Shota Sasaki Hair & Make Up : Tatsuya Suzuki Colorist : Yusuke Adachi(DIGITAL GARDEN) VFX : Tomofumi Ishizawa(L'espace Vision) Drone Operator : Michito Tanaka Underwater Shooting Office : ZEAL Underwater DP: Masaaki Chijimatsu　 U/W Assistant Camera Operator: Keijyu Kawase Safety Diver: Tomofumi Asami, Takayuki Saito Chief Marine Coordinator: Yoshihiko Kato Production staff : IYO, Harumi Akada Producer : Kota Noguchi Production : FIRSTORDER 「プラネテス」 Words & Music : Tatsuya Kitani Arrangement : Naoki Itai（MUSIC FOR MUSIC） Bass : Rock Sakurai Guiter : Katsushiro Sato Piano : Yasunori Mochizuki Drum : Akira Sakamoto Violin : Asuna Programming : Naoki Itai Mix : MEG Mastering : Vlado Meller Sound Produced by Naoki Itai（MUSIC FOR MUSIC） 知らない国に迷い込んだみたいだ 誰もが綺麗な嘘で話してる この手をどこにも繋げないまま、私は もがくようにあなたを探している 死んでしまった誰かのニュースに 涙した優しい人たち 這いつくばって生きる誰かの 生きているざまには舌打ちをした 私はどこにいるの？ あのね、 あなたとふたりで息をしていたい あなたとふたりで泳いでゆきたい どこか遠くの果てに流れ着くまで まだ見ぬ世界で笑えるまで ただあなたとだけ手を繋げるなら ただあなたとだけ夜をやり過ごせたら 信じられるものなどひとつもなくても ふたつの寂しさでも 何もない宇宙に放り出されたみたいだ 前後も左右もわからなくなる へその緒を切った赤子のように、私は 覚えたての孤独に噛みついている 海の向こうで起きた悲劇に 慈悲をかけ憐れむ人たち 同じ言葉で話す誰かを 傷つけてどうして笑えてしまうの？ それでも生きているの？ 誰もが独りで生きてはゆけない 悲しみの重さを受け止めきれない 凍てつくビル風に身を震わせて かじかむ心に息を吹いて 今より少しだけ優しくなれたら 繋がり合うことを恐れずにいられたら 目に見えない悪意に苛まれようとも 正しくあれなくとも あのムーンリバーを渡って 迷いながら進もう 沢山の世界をあなたと見たいよ 道標は要らない 隣にあなたがいて 私はここにいるから あなたとふたりで息をしていたい あなたとふたりで泳いでゆきたい どこか遠くの果てに流れ着くまで まだ見ぬ世界で笑えるまで ただあなたとだけ手を繋げるなら ただあなたとだけ夜をやり過ごせたら 信じられるものなどひとつもなくても ふたつの寂しさでも あなたと生きてゆける "Two Drifters" I feel like I've wandered into a strange country Everyone speaks in the language of embellished lies With no one to hold my hand I'm struggling to find you On the news of someone who has died The kind people wept At the sight of someone who crawled to live They clucked their tongues Where am I now? I want to breathe with you I want to swim through this world with you Till we drift to some place faraway Till we can laugh in a world we've never seen If I could just hold hands only with you If I could just endure the nights only with you Even if there's nothing to believe in Even if we're no more than two lonely things I feel like I've been thrown out into the empty outer space I got insensible to my surroundings Like a baby whose umbilical cord has been cut I'm biting at the loneliness I just learned The tragedy that took place across the sea People showed mercy to and sympathized with And yet, they can hurt someone who speaks the same language How can they laugh at that? How can they say that they are “alive” ? No one can live alone No one can bear the weight of grief alone Shivering in the freezing building wind Exhaling to warm my numb heart If I could be a little kinder than I am now If I were not afraid to connect with someone Even if I'm tormented by invisible malices Even if I'm not right Across that moon river Little by little we go, wandering Because I want to see many worlds with you I don't need a signpost With you next to me And I'm right here I want to breathe with you I want to swim through this world with you Till we drift to some place faraway Till we can laugh in a world we've never seen If I could just hold hands only with you If I could just endure the nights only with you Even if there's nothing to believe in Even if we're no more than two lonely things With you, I can live

ブランデー戦記(Brandy Senki) - ストックホルムの箱(A BOX of STOCKHOLM) MV Follow me! https://x.com/brandy_senki https://www.instagram.com/brandy_senki https://www.tiktok.com/@brandy_senki [Music Video Staff] Cast : Seishiro Tachibana Director：Shun Takeda Assistant Director：Hiroyuki Kishimoto Director of Photography：negistag Camera Assistant : Go Inagaki Lighting Director :To-y Lighting Assistant : Ayuko Takahara, Keiju Itai Prop ART：Mikie Suzuki Artist Hair & Make：Hiroko Takashiro Cast Hair & Make：Hanako Kaiya VFX Artist：Yuya Utamura (NEET_COM) Stylist : Tatsuya Shimada Casting : Hannah Wakuda（SKALY） Driver： okome,Tsutomu Hamada Production Manager：Mayu Tanaka, Hitomi Kamioka Production Assistant：Marimo Ogawa Producer : Shintaro Tanizaki (kino.inc.) Production : kino.inc. ＝＝＝＝＝ [LIVE Info] ‼️Brandy Senki 1st Album Release Tour‼️ 2025.6.7(Sat) 札幌 cube garden 2025.6.22(Sun) 仙台 MACANA 2025.6.29(Sun) 福岡 BEAT STATION 2025.7.12(Sat) 大阪 GORILLA HALL 2025.7.13(Sun) 名古屋 ELL 2025.7.20(Sun) 東京 Zepp Shinjuku (Tokyo) http://eplus.jp/brandysenki2025/ ＝＝＝＝＝ Brandy Senki are... Vo/Gt Hazuki Ba./Cho. Minori Dr. Bori ＝＝＝＝＝ #ブランデー戦記 #バンド #ストックホルムの箱